Teaching
Courses
2013–
History of music (antiquity-16th century) [Title before 2017: Music history overview I (from the beginnings till the end of the 16th century)]
2011–12 & 2016
Critical editing of Renaissance and Baroque music
2011–12
Theory and practice of Medieval music: The Rise and development of polyphony until ars antiqua
PhD dissertations (supervision) [in Greek]
2019–
Fotis Koutsothodoros, ‘Fernando Sor’s “Fantasias” as a reference point for early romantic guitar music: form, style, performance practice issues and audio recording’
2018–
Helena Krasaki, ‘Reinventing voices of the past: vocal art and technique in early 17th century music of north Italy’
PhD dissertations (advisor/examiner) [in Greek]
2018–
Alexis Mastichiades, ‘Cross-influences between vocal and keyboard music in Naples at the end of the 16th century’ [Ionian University]
2016–
Vassiliki Konstantinou, ‘Ancient Greek themes in German opera of the period 1650–1800′
25.02.2013
Dimitrios Kountouras, ‘The Mythological Characters and the Influence of Humanism on Northern Italy 1450–1650 Vocal Music
Final (integrated master) theses (supervision) [concluded – in Greek]
2021
Helena Tzika, ‘Mad songs in 17th century England’
2021
Ioanna Dalakoura, ‘The solo song tradition in the 16th century Italy’
2021
Konstantina Tsirambidou, ‘Viola in the age of baroque, from obscurity to emergence: basic solo repertoire for contemporary viola performers’
2020
Georgia Mavridou, ‘Production management: four case studies of educational character’
2019
Christina Palatzoglou, ‘J.S. Bach: Chaconne from partita BWV 1004. Form, transcription and performance issues for classical guitar’
2019
Theano Papadaki, ‘”Zeffiretto kissed softly”: Renaissance and Baroque works on Zephyr’
2019
Sofia Koupidou, ‘The rise of violin repertoire creation in the first half of the 17th century’
2019
Evdoxia Stamboulidou, ‘The guitar in 17th century’s Italy and transcription of works by Carlo Calvi in modern notation’
2019
Aikaterini Kokkinou, ‘Domenico Scarlatti’s keyboard sonatas’
2018
Nona-Georgia Kyriazopoulou, ‘Barbara Strozzi, the baroque muse: critical edition and performance of selected pieces’
2018
Panagiotis Lamprianidis, ‘Nicola Matteis: a violin viruoso and composer in Baroque era’
2018
Georgios Koukoumpesis, ‘J.S. Bach’s Lute suite in E minor (BWV 996): Issues of transcription and editing for the guitar’
2018
Olga Papakonstantinou, ‘Bernardo Pasquini’s “La Tessalonica”: Τhe opera, Tessalonica’s arias and their critical edition’
2018
Damianos Paraskevas, ‘Frangiskos Leontaritis’ secular work’
2017
Andriana Papaioannou, ‘Critical edition of six chansons by Claudine de Sermisy on Clement Marot’s poetry, contained in the collections of Pierre Attaignant’
2016
Ioanna Koullepou, ‘Franz Schubert and the song collection Schwanengesang‘
2016
Isidora Avraam, ‘Fernando Sor (1778–1839), a historical and performance approach of his songs with ideological context.’
2015
Athanasios Sourgounis, ‘Viola, the “extraordinary” instrument of the violin family : history, evolution and construction’
2014
Anna Mitintzi, ‘Theobald Boehm’s contribution in the constructional of the flute’
2013
Eirini Softsi, ‘John Dowlad: Lacrimae’
2013
Panagiotis Gerakis, ‘The guitar in the 16th and 17th century: The case of Gaspar Sanz and transcription of four pieces for the classical guitar’
2012
Vasileios Tsotsolis, ‘Heinrich Ignaz franz von Biber, a historical and performance approach of the Rosarium (c.1682–1687)’
2011–
Advisor/examiner for more than a dozen theses
Department of Sound and Musical Instruments Technology, Technologigal Educational Institute of Ionian Islands
Courses
2005–11
Organology I-II
2005–9
Music theory I-II
2008
Introduction to music notation
Final theses (supervision)
2006–11
More than twenty theses