Lectures
2016
Theodoros Kitsos & Olga Papakonstantinou, ‘Bernardo Pasquini, La Tessalonica: Preparation of a Critical Edition’, Influences and Cross-influences’, Hellenic Musicological Society, Megaron, Athens, 25–27 November 2016 [in Greek]
2012
Theodoros Kitsos, ‘The Use of Greek Language in Western Art Music during the 16th and the 17th Century: the Case of Henry Lawes’, Music & Language, University of Athens, Athens, 23 & 24 November 2012 [in Greek]
2012
George Sakallieros & Theodoros Kitsos, ‘”Mourning Becomes Ariadne”: a Cross-examination of the Lamenti d’Arianna by Monteverdi and Lawes’, Ancient Myths & Music Creation, University of Athens & Aristotle University, Thessaloniki, 21 & 22 October 2012 [in Greek]
2011
Theodoros Kitsos, ‘Ferdinand Sor “the Philhellene”’, Aspects of Music Historiography, University of Athens & Aristotle University, Athens, 15 & 16 December 2011 [in Greek]
2010
Theodoros Kitsos, ‘The Allure of the Name Pergolesi: ‘Doubts Concerning the Authenticity of the Flute Concerti’, Three Eras – Four Anniversaries: Pergolesi, Chopin, Schumann, Barber, Aristotle University & University of Athens, Thessaloniki, 26 &27 November 2010 [in Greek]
2009
Theodoros Kitsos, ‘”The British Orpheus Mr. H. Purcell”: Ancient Greek Expression in his Secular Songs’, Purcell, Händel, Haydn, Mendelssohn: Four Anniversaries, University of Athens & Aristotle University, Athens, 27 & 28 November 2009 [in Greek]
2009
Theodoros Kitsos, ‘Pythagorean Tuning and the Evolution of Polyphony in the Middle Ages’, Pythagorean Views on Music, University of Athens & University of the Aegean, Pythagoreion of Samos, 10 & 11 July 2009 [in Greek]
2009
Theodoros Kitsos, ‘The Violin in the 17th Century: Empowerment and Creation of Repertoire’, Music Literature for Violin in the Baroque and the Historical Performances Today, University of Macedonia, Thessaloniki 28 November 2009 [in Greek]
2007
Theodoros Kitsos, ‘Music Performance Practice in Greek Higher Education: Practicality and Prospects’, Music Education in Greece: from the Past to the Future, Ionian University, Athens, 9 June 2007 [in Greek]
2006
Theodoros Kitsos, ‘Mozart and Mandolin’, 250 Years from Mozart’s Birth, Technological Educational Institute of Ionian Islands, Lixouri, 17 May 2006 [in Greek]
Various lectures and seminars
29.11.2021
‘Recreating Sounds of the Past’, Artistic Lectures Series 4#, Artistic Research in the Field of Sound and Music, TWIXTlab [online]
video [in Greek]
13.04.2016
‘Historical(?), Historically Informed(?)/Inspired(?)… Performance: Rage or Necessity of Modern Musical Reality?’, 2nd Educational Forum Courses in a Different Manner, Critical Music Histories & State Conservatory of Thessaloniki
18.03.2016
‘The Lute Family and Similar Instruments’, Lecture in the 3rd International Guitar Festival of Thessaloniki
23–24.02.2013
‘Violin and Plucked Instruments in the 17th and the 18th Century’, Seminar of historical informed performance with Simos Papanas, To Avgo of the Music Village, Thessaloniki
27–29.04.2011
Guitar and baroque guitar seminar, 10th International Guitar Festival of Veroia
13–15.05.2011
‘John Dowland’, Early music performance seminar with Panagiotis Adam & Theodoros Baka, Athenaeum, Athens
02–08.08.2010
‘Renaissance and Baroque music for plucked instruments’, Historically informed workshop in Music Village, Agios Lavrentios of Pelion
24–28.08.2009
‘Per cantare sonar: Renaissance and Baroque songs with lute and baroque guitar accompaniment’, Historically informed workshop with Theodora Baka in Music Village, Agios Lavrentios of Pelion
11.05.2008
‘Guitar and early music’, Lecture in the 4th Festival of chamber music for guitar and other instruments, guitar plus, Thessaloniki
23.02.2007
‘Editing Early Music: Methodology and Praxis through Giulio Caccini’s “Amarilli mia bella”‘, Lecture and workshop, Music Department, Ionian University, Corfu
28.05.2003
‘Per cantar nel chitarrone: The very early intabulated accompaniments for chitarrone’, Research Seminars, The University of York, York (UK)
16.04.2006
‘Historical development of the lute family instruments’, Lecture in the 15th Panhellenic Guitar Seminar, F. Nakas Conservatory, Partas